这是龚自珍《己亥杂诗》三百一十五首中流传最广的一首，作于清道光十九年（1839，己亥年）。首句以“风雷”喻变革之力，“万马齐喑”则痛陈晚清思想沉闷、人才受压的时局；后两句转而向天公疾呼，盼能打破陈规、不拘一格地选拔人才。短短四句，既是对僵化体制的批判，也寄托了诗人对革新与生机的期望，至今仍常被引用。
诗词 · POETRY · 公版古典作品
✦ This post was assembled with the assistance of Claude by Anthropic ✦
花开花落花无悔，缘来缘去缘如水。
花谢为花开，花飞为花悲。
花悲为花泪，花泪为花碎。
花舞花落泪，花哭花瓣飞。
花开为谁谢，花谢为谁悲。
这首七绝相传为苏轼晚年所作（一说书赠幼子苏过），以禅理入诗。庐山的烟雨、浙江的钱塘潮，都是闻名天下的胜景；未曾亲见时，心中千般向往，“恨不消”；可真正到过、看过之后，却发现不过如此，于是“别无事”，末句原样重复首句——山水依旧是那山水。这正暗合禅宗“见山是山、见山不是山、见山仍是山”的三重境界：执念、勘破、回归平常心。文字极简，意味深长。
诗词 · POETRY · 公版古典作品
✦ This post was assembled with the assistance of Claude by Anthropic ✦
In the dance of hues, a cosmos whirls,
A tapestry of dreams softly unfurls.
Zeus’ visage emerges, bold and grand,
Amidst the colors by an artist’s hand.
Thick strokes of passion, red, blue, and green,
A fluid motion, a sight unseen.
Circular whispers of depth and light,
A glossy sheen, oh what a sight!
In every swirl, a story’s trace,
A godly face in time’s embrace.
Impasto layers, thick and wild,
Zeus looks on, both fierce and mild.
A masterpiece of motion’s grace,
In every line, his power’s encased.
A portrait of transformation’s song,
In this painting, where gods belong.
– Poem and Images generated by Microsoft Copilot
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